three topics

Fine art is for everyone.

For many, our habitat is perceived instantaneously, in an encounter with light. We hold that visual experience as a one-off and inform our appreciation of arts or aesthetics. What we choose to have around us is mostly based on those memories. Since my childhood, fine arts taught me to look into my environement to appreciate its qualities beyond its daily use or the current economic climate and market values. Fine art provides a way for the viewer to give a scale and to put things in perspective. This is how we are contemproary art practitioners.

Architectural glass designs are made for everyone, composed of colours and glass and natural light. My choice of this material came from the idea that it is as ubiquitous as  the seasons: dominant, muted, subtle and far-reaching as far as your soul or the poetry of the subject of the artwork may lead you. Glass may become a view outside the ordinary course of life. It is a transmitter and receiver of energies, of preternatural abstraction, of sensation and significance in suspension, in elevation and in extension, in projection, reverberation, transparency and translucency. Glass has the potential to achieve all the dimensions of time, space, body, volume and mass using natural light.

Eco Logics applied to arts

My motivation is to give to the viewers of the artwork the sensuality and beauty of our planet . I regularly follow some Eco Logics with my private life and work choices. I 'll try my best to keep in mind our natural bond to our planet and that we exist on a spiritual level as well as physical.

By this I mean that I also use my first assessment of what I will work for in respect of all as one, and then I decide what media to use to interpret. The media are appropriate to the subject of each new piece.

Understanding and sharing

I hope that by offering to viewers my perception of our position in Nature we would come to an understanding of the reality of private or communities'needs when it comes visual arts.